Published on May 7, 2014 PHILIP LAWRENCE SHERROD'S- ORIGINAL*PIANO*­COMPOSITIONS/-.. -"(GOING*UP*/-..-GOING*DOWN*)"? ..-*("D#/-*D/-..-To*A#/-*A/-..(-*Eb*/-*E­/-..-*B**A"!))"? -(Middle*Foot*Pedal*Locked!) -Now*A*More*Boisterous- *Attempt!(?) -..-*off*/-Uv'/-..*C(!)? .."*AMID*/..The*/-..(-BOUNC*ING*BALLS­!)­"?-..&*-Mothers*- &*Children/-..-*Chat*ter*ing(!)? .."&*(PASSING*TRAINS!)"?..-*G's*Out/..on­*Second*C(!)"?)"?-"(!)­)"? -*A/..*B/..&*E/..OUT/..-UV'/*TUNE*- ../*ON*-..(*SECOND*C-..*GROUP*/-&*..-*N'­­a/..*HORRIBLE*WAY*)? COMPOSER'S(C)COPY*RIGHT-2014-VID00001.MP­­4 COMPOSER*PLAYING*ON/..TOKAI*UP*RIGHT/­..­*VINTAGE(?), MADE*BYE*HAMMA*MATSUI /..-TOKAI...-IN*TOKYO*JAPAN(!)?, ..IN*..(DREAM*CATCHER*THEATRE)-..SO.-O­R­ANGE, NJ, COMPOSER'S(C)COPY*RIGHT-2014-VID00001.MP­­4

Published on May 7, 2014 PHILIP LAWRENCE SHERROD'S- ORIGINAL*PIANO*­COMPOSITIONS/-.. -"(GOING*UP*/-..-GOING*DOWN*)"?  ..-*("D#/-*D/-..-To*A#/-*A/-..(-*Eb*/-*E­/-..-*B**A"!))"? -(Middle*Foot*Pedal*Locked!) -Now*A*More*Boisterous- *Attempt!(?) -..-*off*/-Uv'/-..*C(!)? .."*AMID*/..The*/-..(-BOUNC*ING*BALLS­!)­"?-..&*-Mothers*- &*Children/-..-*Chat*ter*ing(!)? .."&*(PASSING*TRAINS!)"?..-*G's*Out/..on­*Second*C(!)"?)"?-"(!)­)"? -*A/..*B/..&*E/..OUT/..-UV'/*TUNE*- ../*ON*-..(*SECOND*C-..*GROUP*/-&*..-*N'­­a/..*HORRIBLE*WAY*)? COMPOSER'S(C)COPY*RIGHT-2014-VID00001.MP­­4  COMPOSER*PLAYING*ON/..TOKAI*UP*RIGHT/­..­*VINTAGE(?), MADE*BYE*HAMMA*MATSUI /..-TOKAI...-IN*TOKYO*JAPAN(!)?, ..IN*..(DREAM*CATCHER*THEATRE)-..SO.-O­R­ANGE, NJ, COMPOSER'S(C)COPY*RIGHT-2014-VID00001.MP­­4